Part of a series comparing and contrasting the new movie (The Force Awakens) with the original trilogy: One of the things that made the original Star Wars movie, “A New Hope,” so compelling was that[…]
SPOILER ALERT – Plot points of the original Star Wars Trilogy and The Force Awakens discussed below. A key point of comparison and contrast between A New Hope and The Force Awakens is their respective[…]
J.J. Abrams’ new Star Wars sequel, The Force Awakens, has been both praised and panned for how deeply it is reminiscent of the first Star Wars movie, A New Hope. The new movie reflects its[…]
Please enjoy this repost of the continuation of my 2004 essay: “Kierkegaard’s Narrative” Even without the religious and spiritual dimension that was the ultimate foundation of Kierkegaard’s work, the narrative he inspired continues to garner[…]
For many people, the main appeal of George Lucas’ “Star Wars” movies is the “Jedi Way,” the philosophy/religion that guides the mystical Jedi knights. But where does this philosophy come from, and does it hold up under scrutiny?
"Kierkegaard's Narrative" is an existential humanist plot outline named after the Danish philosopher Søren Kierkegaard. In general, it runs as follows: An aimless young man drifts through life, obsessed with aesthetics, and seeking sexual fulfillment with a series of women, yet never making substantive choices or real commitments. The climax of the story is the protagonist's decision to commit to a single woman, and to enter into marriage.
The raw source material for this plotline is found in Kierkegaard's books "Either/Or," "Fear and Trembling," and "Repetition," in which he takes on the persona of various first-person narrators, and describes their experiences.
Today, most people know director Alfonso Cuarón as the first Latino to win the Oscar for Best Director (for 2013’s space thriller, Gravity). Others may remember him for 2001’s bawdy road movie, Y Tu Mama[…]
It’s the hottest day of the year. Spike Lee is known as an actor’s director, and nowhere is that more apparent than in his masterpiece, 1989’s Do the Right Thing, an acknowledged classic of American[…]
What hasn’t been said about Casablanca? It’s a nearly flawless piece of cinema, and the crowning achievement of the old “assembly-line” system of movie-making, under which the studio would pull a director, a couple of[…]
This is a round-up of artists and writers who have cited or are otherwise known to have been influenced by the essay reprinted several weeks ago, Reconstructivist Art: Artists Scott C. Clements, filmmaker –[…]